# DJI ProRes RAW to ACES CCT

**URL:** <https://forum.logik.tv/t/dji-prores-raw-to-aces-cct/14036>\
**Category:** Flame Questions\
**Tags:** color\
**Created:** [January 27, 2026, 10:38pm UTC](https://forum.logik.tv/t/dji-prores-raw-to-aces-cct/14036 "2026-01-27T22:38:38Z")\
**Posts on this page:** 1\
**Showing post:** 2

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**Author:** ![RufusBlackwell](https://sea2.discourse-cdn.com/flex020/user_avatar/forum.logik.tv/rufusblackwell/32/422_2.png) [@RufusBlackwell](https://forum.logik.tv/u/RufusBlackwell)\
**Post date:** [January 28, 2026, 12:34am UTC](https://forum.logik.tv/t/dji-prores-raw-to-aces-cct/14036/2 "2026-01-28T00:34:14Z")

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This post is a bit old now, but this is how I transcoded ProRes RAW in Adobe Media Encoder. That would convert it to EXR or ProRes, but in the origin LOG format, then in Flame they now have DJI LOG in the Colour Management node for conversion to ACES or whatever. Hopefully may help.

> [@DJI Inspire 3 footage](https://forum.logik.tv/t/dji-inspire-3-footage/8919/4):
>
> Hi Stefan Yeah I do loads of work with DJI Inspires in ProRes RAW. Resolve seems not to be able to read ProRes RAW, but Adobe Media Encoder can. Resolve can read Cinema DNG files from my Inspire 2, but I’ve never had Cinema DNG from an Inspire 3, only ProRes RAW I use AME for my ProRes RAW and Cinema DNG Transcodes, these are the settings I use: That’s basically the default settings for a ProRes 4444 transcode apart from the highlighted elements. What yo…

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