Hello, Got a green screen job coming up and the DOP has a Canon c300 mk 2. The client wants 4k so that we can punch in a little to cover jump cuts and I want the best quality signal. 4k @ YCC422 10bit 2k @ RGB444 12bit / 10b The Deliverable is HD on the web Images will be lots of people midsho…

I wouldn’t want a greenscreen shot 422 @johnag

Also I wouldn’t worry about your motion blur. If you shoot 444 and you have a good greenscreen you can deal with the motion blur.

Do the 2k for the color depth. If need be use Resolve or Topaz for those shots you need to really push in on.

This might not be helpful, but this is how I prep almost any shot now. I pull it in and run it through neat video to denoise it, then I convert it from it’s orig colourspace to REC709. I then export is as an EXR sequence. I thin run that EXR sequence through Topaz Video AI upscaling to UHD8k with th…

Yeah it does seem to. I’ve got a project on ATM shot in ARRI log c quite high key. At first I upscaled it in Topaz as is, but I noticed it was smoothing some details it shouldn’t. So I converted to ACES CG, reduced the exposure a bit in ACES then converted to REC709 and upscaled in REC709 and got be…

even more so than the 422/444 issue, the c300 onky shoots h264 … not even sure if it can do all-intra. definetely a bad choice for keying not matter how you look at it.

Canon c300 mk 2

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Sinan January 24, 2023, 9:28am 4

It is one of my uninformed-artist level superstitions to never work with Canon cameras for VFX…

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Canon c300 mk 2

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