Hi Stefan
Yeah I do loads of work with DJI Inspires in ProRes RAW.
Resolve seems not to be able to read ProRes RAW, but Adobe Media Encoder can. Resolve can read Cinema DNG files from my Inspire 2, but I’ve never had Cinema DNG from an Inspire 3, only ProRes RAW
I use AME for my ProRes RAW and Cinema DNG Transcodes, these are the settings I use:
That’s basically the default settings for a ProRes 4444 transcode apart from the highlighted elements. What you are looking for is a ProRes file with the original LOG look, not a process that has de-LOGd it.
If you need an uncompressed pipeline then you can transcode to EXR. I haven’t done that for a while, but if you do make sure you select this option, to stop an internal linear conversion:
Then you can load your LOG ProRes or EXRs in to Flame to convert in to a normal colourspace. I do a lot of this, so I’ve made a vid of my favoured processes, not sure if it is applicable to what you’re doing, but here it is:
Here are the LUTS, the ProRes RAW and my transcode of the tennis court stuff, in case anyone wants to have a play, or to compare their RAW transcode process to mine.
Edit to add @finnjaeger 's process is probably way more technically correct than mine. Mine is purely about making it look the way I want it to look.