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2 Exports - 2 different Color Profiles
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9
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272
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April 24, 2024
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DCI-P3 to rec709
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16
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1248
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April 14, 2024
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DJI Inspire 3 footage
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9
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1620
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April 4, 2024
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What viewing rules do you have for Aces and Legacy setup atm?
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10
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349
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February 7, 2024
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Monitor Calibration in Chicago Area
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0
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177
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February 6, 2024
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View Transforms negatively clamping footage
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19
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611
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February 6, 2024
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Autodesk OCIO color profiles
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14
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436
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January 29, 2024
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Comping linear (I think, maybe rec709) screen insert into Alexa Log TV footage producing heavy banding
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10
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314
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January 24, 2024
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Why Renders so slow?
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21
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405
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January 5, 2024
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FFMPEG Prores output
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9
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609
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December 21, 2023
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Synology selective permissions
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2
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176
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December 19, 2023
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Phantom to Flame
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7
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276
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December 14, 2023
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Flame color work to Resolve or Premiere
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4
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233
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December 5, 2023
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Motion vector track previewing but not rendering
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5
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198
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November 7, 2023
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Color Grading/Look Design, New Tool by Filmlight: Chromogen
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0
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345
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November 2, 2023
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Reg Ex for Input rules and underscore
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4
|
286
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October 23, 2023
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Mixed Color Spaces: Invert ODTs or not?
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48
|
1180
|
October 20, 2023
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Difference between Video(Colormetric) and Rec709
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2
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337
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October 19, 2023
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Archiving projects containing LUTs
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14
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326
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October 18, 2023
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ACES AP0 Linear EXRS as 16bit PIZ
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12
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444
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October 12, 2023
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FLAME with AdobeRGB ColorSpace Import / Export
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3
|
269
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October 1, 2023
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Grading Movie
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9
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483
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September 12, 2023
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Transcoding HDR Dolby iPhone footage to boring old REC709
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5
|
375
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September 11, 2023
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ARRI LogC v4 for Flame version 2023.1
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6
|
319
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August 16, 2023
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2022.3.2 exr tagging on import woes
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3
|
160
|
August 4, 2023
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CM Gap FX Weirdness ... or not?
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3
|
355
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July 19, 2023
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Shockingly good monitor
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17
|
769
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July 8, 2023
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Screen exposure
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6
|
386
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June 27, 2023
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Color Space Converter
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1
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298
|
June 24, 2023
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Comping motion graphics before grading
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5
|
503
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June 5, 2023
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