I agree with @AdamArcher but I work in a 25fps market so I often shoot at 25fps and then cut that footage up into two edits. One that is 25fps and one that is interpreted as 24fps.
Have a read through this thread here:
hey @johnag
The trick here is to be supremely confident in what you ask for. Stand your ground and don’t waver. There will be people who will doubt you and think that they know how it should be done if they sense any second guessing yourself then you will loose the power to force this how you need it to be.
How I would do this is get everything shot in the US at 24fps (23.98). Then when it comes to the two formats get the editor to cut the US commercial @ 24fps (23.98) so a 30s=720fr
The AUS …
1 Like