I’ll start:
Client asked for a hi-rez thumbnail.
can you squash this 10 minute hd video so i can email it?
is it possible to create a ProRes with 1mb?
I see your technically incompetent clients and raise:
“We have a stock video of a cheetah chasing an antelope. Will the antelope chase the cheetah if we flip the image?”
Years ago, when we used the ADO, I had a client who didn’t understand why, when we rotated the picture on the Y axis, we didn’t see the back of the person.
Can you do this for free this time and next time we will book you for the big projects to compensate the work?
Client: “Just make it SING!”
Me ???
Just have fun with it.*
*This is a trap. What it means is, I can’t describe what I want because I don’t know. I will tell you what I don’t like out of the many versions I am attempting to get you to make.
“I want every frame of this film to be a piece of art, like something you could print and hang on your wall.”
This was for a 60 second commercial.
Sounds like you have 1,440 free NFT’s then.
Show me the MONEYYYYYYY!!!
i blame Blade Runner!
1500 if you’re in PAL land
This sums up the worst of it for me:
“Why colour is different compared to the last offline? We want see the car with original aspect”
Client, after deliver the post updated with color grading.
Can you make sure it’s 300dpi?
- Sure, if you can tell me how many cm or inches you want it. And on which screen?
I have done this many many times.
On set with blue screen - Account Executive says…
“Can we use a different color than Blue? That’s our competitor’s color.”
“Can we get more drama in the greens?”
“Can you make it more black?” (was already 0,0,0)
…or my favorite:
Client in Inferno suite, given a control surface to help run the session, but didn’t realize it was left intentionally disconnected.