I know we have quite a few threads about openClips but I wasn’t sure where to include this one, so apologies for yet another one.
We’ve been a long time managed media shop but we’re coming around to an unmanaged workflow. The pieces have been in place for a while but now we’re kicking the tires on a massive project.
One thing that is hanging us up is the loss of tape name from the openClip as well as the inability to match-out the underlying version from the openClip container.
I’d say 95% of the time we work ungraded and then send our conform/comps to grade along with an EDL/AAF. This allows us to keep our shot names, etc. Works a treat, even when the client wants to grade with another supplier.
Currently, this workflow isn’t as viable for shots that are being populated by an openClip. The write node doesn’t include the tape name nor does Flame put it into the openClip file via said node. There’s also no option to have Flame look at the underlying file to derive the tape name. Finally, when you match out the clip from a timeline it doesn’t actually match out the underlying source version that one could then export to grade, it’s just the openClip container (which has a use as well)
Am I missing something? Sometimes I feel like we just work quite differently than others, especially with how we use <shot name>
which also complicates matters with publishing and openClips being created in that manner (as opposed to the write node creating the first version of a .clip)
I feel like this could be solved by a few changes:
- Have the option to match out the source version (i.e. what the openClip is actually pointing to)
- Have the option to get the tape name from the actual source version file
- Add the tape name field to the write node
- Allow the
<segment name>
token to be used when populating the name pattern in the openClip section of the sequence publish export menu. (This one isn’t related to the above issue but it messes other things up for us)
By the way, I realize we could alter the tape name to be the file name but I want to keep the original tape name. We get revised edits all the time or new edits towards the end of a project so it’s vital for us to keep this.
I hope I’m just missing something and someone can tell me to just click a button or I’m overlooking something obvious…