Just got asked, if an upcoming shoot should be done in SLog3 or S-Cinetone.
S-Cinetone is unkown by me and I’m wondering how that affects the workflow.
I’m not sure if that’s indeed a new transfer function for OCN or more a monitoring color space for viewing purposes on set.
Has anybody experience with that? And is Flame capable of dealing with S-Cinetone?
Or is there any sample footage?
I hope, that with X-OCN you can still debayer to your preffered color space as usual so that it doesn’t change anything in the workflow.